
In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.
TOHO, TOHO Studios, Robot Communications
$15,000,000
**Go watch as soon as it releases in your country!**
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/godzilla-minus-one-review/
_Godzilla Minus One_ is not only one of the best films out of the 30-plus in the series, but also one of the best films of the year. The acting is superb, the destruction is immense and incredible, and the gnarly Godzilla design is fantastic. It’s ridiculous, if true, that this film only has a budget of $15 million because it looks better than most Hollywood blockbusters.
"Shikishima" (Ryunosuke Kamiki) is a man with some guilt. He was a kamikaze pilot towards the end of WWII who feigned some technical problems with his plane and so landed and survived! Now, Japan is defeated and in ruins and he is feels a deep sense if shame. He manages to find a job in a wooden-hulled boat trying to collect up from the sea all the mines laid by the Allies and the Japanese alike, and it's whilst they are at sea they discover a toxic creature that has been born out of the ashes of the atom bomb. This creature is bent on destruction and nothing mankind has in it's arsenal can even dent this leviathan that possesses a deadly blue ray than can obliterate all in it's path. It heads to the land wreaking devastation and so the scientists must come up with a plan before the country is laid waste. It's really two stories. One of the man with all of his demons, his burgeoning romance with a homeless girl and her child and of his gradual realisation that maybe his life isn't quite over yet. The remainder is the standard "Godzilla" style special effects fest that I must admit to preferring to the more recent Hollywood versions. The style of animation here is grittier, the monster knobblier and angrier and the immediately post-war timeframe allows the photography to present us with a more attractively bleak film to look at. The ending is predictable, sure, but at least it tries to solve the problem of this marauding beastie in a little more of an innovatory fashion. Not much original here, but I still quite enjoyed it.